Nazarin

Nazarin

7.7

Jun 04 1959

2h 35m

Drama

After hiding a murderer, a Catholic priest is forced into self-exile and decides to embark on a pilgrimage through the Mexican countryside.

Francisco Rabal

Francisco Rabal

Father Nazario

Marga López

Marga López

Beatriz

Rita Macedo

Rita Macedo

Andara

Ignacio López Tarso

Ignacio López Tarso

Thief in church

Recommendations

See all
That Obscure Object of Desire
7.4

That Obscure Object of Desire

1977

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

The Phantom of Liberty
7.5

The Phantom of Liberty

1974

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Pusher III
7.2

Pusher III

2005

Milo is aging, he is planning his daughter's 25th birthday, and his shipment of heroin turns out to be 10,000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan.

Mafia Is Not What It Used to Be
7.6

Mafia Is Not What It Used to Be

2019

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.