
Deep Purple: ...To the Rising Sun in Tokyo
Feb 22 2015
•2h 52m
•Music
Filmed by 12 HD cameras and recorded by a top mobile studio, the show offers one of the most magical performances of the NOW What?! tour. Every member of the band is in fantastic form, the band being strong from a full tour together, and the performance seems to be driving the band through the song like if audience and band were suspended in time.
Cast
See all
Ian Gillan
Himself - Vocals

Ian Paice
Himself - Drums

Roger Glover
Himself - Bass

Steve Morse
Himself - Guitar
Recommendations
See allMarcos & Belutti Acústico Tão Feliz
War
In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.

Object: Alimony
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.