
Lisbon Story
Dec 16 1994
•2h 40m
•Drama, Music
Lisbon Story is Wim Wenders' homage to Lisbon and films. A sound engineer obtains a mysterious postcard from a friend who at the moment is filming a film in Lisbon. He sets out across Europe to find him and help him.
Cast
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Rüdiger Vogler
Phillip Winter

Patrick Bauchau
Friedrich Monroe

Teresa Salgueiro
Herself

Manoel de Oliveira
Himself
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So Far So Good
It’s the last weekend together for three men and two women who for years have studied and lived in the same house in Pisa. University is over and each of them is about to embark on a new path: some will stay in Pisa, some will return home to their parents, and some will move to another city or even country. That protected period of their life in which infinite opportunities awaited them, is fading away – now is the time for decisions and responsibility: love or a well-paid job? Have a child or wait for better circumstances? Follow your dreams or be happy with whatever comes your way? Once thing is certain: their carefree university days are over and nothing will ever be the same again.

Faraway, So Close!
Damiel is now married to Marion, runs the pizzeria “Da Angelo” and the two have a child. The solitarily remaining angel Cassiel is more and more dissatisfied with his destiny as a mere observer of human life and finally decides to take the great leap. As Karl Engel he soon gets into a dubious milieu and finds himself as the assistant of the German American Baker, who makes his money with shady arms deals and sends films east in exchange for weapons. Cassiel’s adventure turns into a “thriller” when he decides to put a stop to Baker’s game.

Blind
Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.