
The Year of the Hare
Dec 23 1977
•2h 9m
•Comedy, Drama
Young advertising executive Vatanen suddenly quits his job and his whole life in Helsinki, and decides to spend a while in the Finnish wilderness. A wounded hare hit by a car becomes his travel companion. Together they find reclusion in the Finnish Lapland, soon to be disturbed by a noisy group of foreign tourists and their pretentious Finnish hosts. When the hare gets ill and needs to see a vet, Vatanen must return to the city and finally face the choice between his new and former life
Cast
See allAntti Litja
Kaarlo Vatanen

Kauko Helovirta
Desk Sergeant

Markku Huhtamo
Taxi Driver

Paavo Hukkinen
Taxi Driver
Recommendations
See all
Preludes to Ecstasy
Sten Lehtoja, a married, middle-aged businessman, picks up a young hitchhiker, Elsie, while driving to his summer home. Elsie spends the night and becomes his mistress. Later during the summer, Elsie also begins an affair with Reino, the teenage son of a local storekeeper. Sten offers to divorce his wife, and Elsie, attracted by the prospect of a secure social position, agrees to marry him when the divorce becomes final. One night when the couple are in bed, Reino climbs a ladder and attempts to force his way into their room; he falls and breaks his neck, and to avoid scandal Sten hides the body. But the strain of guilt ruins the romance, and Elsie contacts the police, who arrest her lover.

Red
Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

I Can Quit Whenever I Want 3: Ad Honorem
Has been an year since Pietro Zinni's gang got caught in the Sopox production laboratory and each of them locked up in different jails. From Regina Coeli jail, Pietro keep warning the authorities a fool syntetized nerve gas and he is ready to make a killing, but no one takes him seriously.

Finding Fanon 1
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.