Jason Mraz's Beautiful Mess: Live on Earth

Jason Mraz's Beautiful Mess: Live on Earth

7.4

Oct 10 2009

2h 39m

Music

This Live CD/DVD was filmed at Jason's Gratitude Café Tour date at the Charter One Pavilion - Chicago (August 13, 2009). 'JASON MRAZ'S BEAUTIFUL MESS - LIVE ON EARTH' features all of the old favorites as well as the hits Lucky (with a special guest appearance from Colbie Caillat), and I'm Yours from 'We Sing. We Dance. We Steal Things.' The DVD, directed by Darren Doane, features the full length concert, never-before-seen bonus footage, and a special mockumentary titled 'un beau desordre'.

Jason Mraz

Jason Mraz

Self

Recommendations

See all
High School Musical 2
6.5

High School Musical 2

2007

The East High Wildcats are gearing up for big fun as they land the coolest summer jobs imaginable. Troy, Gabriella, Chad, and Taylor have scored sweet gigs at the Lava Springs Country Club owned by Sharpay and Ryan's family. Sharpay's first rule of business: Get Troy. As Troy experiences a life of privilege he's never known, will he give up the Wildcats and Gabriella to rise to the top?

MIKA: Live in Cartoon Motion
6.2

MIKA: Live in Cartoon Motion

2007

The live recording of Mika's Life in Cartoon Motion tour, played at L'Olympia Paris. Features the documentary "A Long Way from Home".

Nixon Newell: First Female of Fight Club
8.0

Nixon Newell: First Female of Fight Club

2017

Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.

1-2-3
6.3

1-2-3

2020

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.