Blondie's Blessed Event
Apr 09 1942
•1h 9m
•Comedy
Cookie is born, producing unmitigated joy in the Bumstead household. Adding to the chaos a new baby always creates is the appearance of Hans Conried as a cynical author who becomes caught up in the Bumstead lifestyle.
Cast
See all
Penny Singleton
Blondie Bumstead
Arthur Lake
Dagwood " Dag " Bumstead
Larry Simms
Alexander " Baby " Bumstead
Daisy
Daisy
Recommendations
See all
Blondie for Victory
Blondie organizes Housewives of America to perform home-front wartime duties, including guarding the local dam... Blondie for Victory was twelfth in Columbia's series of comedy films based on Chic Young's popular comic strip Blondie. Anxious to do her bit for the war effort, Blondie joins the Housewives of America, a home defense league. Husband Dagwood soon finds that Blondie is neglecting her responsibilities at home in favor of her war work; also disgruntled are Dagwood's chauvinistic boss Mr. Dithers and a newlywed husband whose wife is never home thanks to the defense league.
Change
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
Blue Fire
An elite A.I.coder faces a collision between the algorithms of the VR worlds he's creating and the archetypal dimensions of the greater Collective Unconscious. He finds solace in a rural farmhouse he rents from a Professor of Psychology who lives next door with a student he mentors on her dreams. Over two days, the dreams of all three impact their daily discourse in unexpected ways unhinging their lives through a vortex of a greater reality. BLUE FIRE spins the controversial A.I. phenomena beyond the consensus narrative of destroying the world VS. saving the world towards a radical vision of the future.
way
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.