All Recommendations

Qadjana
Local baron decides to take poor Kikola’s land and orders a local witch Babale to persuade Kikola’s wife that non-compliance will bring suffering to their children Kato and Kajana. On the day of the Bonfire, Kato plays a wicked trick on her brother by dressing up as an evil imp. The shock makes Kajana dumb. The parents take him to a distant village where he has to "meet the miraculous icon" in hope of recovery.

The Scrapper
Fed up with caprices of her employer's wife, Lia becomes a driver of architect Giorgi. Soon she falls in love with him, but different social status is an obstacle for their relationship.

Harder Than the Rock: The Cimarons Story
Reggae exploded in the 1970s and Cimarons, the UK's first reggae band, formed in 1967, were at its heart. Thousands of miles from Jamaica, they brought excitement, experimentation and sheer anticipation to a new generation of Black British youth, putting them in touch with their roots. Harder Than The Rock celebrates Cimaron's storied history and explores the band's overlooked impact and influence as they persevere against all odds and dream of playing to live audiences again, one last time...

Praktikum - Der Film
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.

The Nativity Scene of Michele Pascuzzi
A short documentary about the intricate nativity scenes of Michele Pascuzzi.
Tatamp
Mirai Mizue continues his experimentation with music and movement in his latest "cell animation," Tatamp. Not to be confused with the animation technique of "cel animation," Mizue’s unique style of "cell animation" is hand-drawn and colored on paper then scanned onto the computer for editing. The name refers to the fact that the creatures that he draws resemble amoeba and other minute organic creatures one might find under the lens of a microscope.

Les Petites Cardinal
Napoleon III, the Commune, the third Republic in the background. In the foreground, two pretty, talented sisters, Virginie and Pauline Cardinal. They are ballerinas at the Opera de Paris and very much courted by wealthy, elegant men. They will manage to climb in the society of their time, despite parents set on respectability but also attracted by money.

El Faro

The Golden Fern
Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.

Are These Our Children?
A tale of juvenile delinquency, about a high-school student neglecting his studies, partying hard, falling in with the wrong crowd and finally finding himself on trial for murder committed during a robbery.

Me & You, Us, Forever
A 47 year old Christian man on the other side of an unwanted divorce thinks back on his first love from high school and wants to see her again.

Les plus grands magiciens du monde - Les Mandrakes d'or

Time Kills
Basically a amateurish montage made by a film-loving guy with no experience whatsoever.

Il tacchino prepotente
According to Ferrara, Rossellini told him it was a satire in which “Perfidious Albion,” a big turkey representing England, goes around pecking at the hens representing the nations of Europe, until defied by a rooster representing Italy. “Rossellini detested it,” said Ferrara, “[though his] genius was such that he could achieve extraordinary effects out of nothing.

I Remember Crimson Peak
Four segments that breakdown the filmmaking process of Crimson Peak.

There Is Land!
"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."

The Misanthrope
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
R.I.P.
Night has fallen. A thunderstorm approaches. In a lonely house a young woman mourns her deceased husband. In the cemetery across the street the shape of a man rises from a grave...

Sa Ngalan ng Tubo
A documentary on the struggle of millworkers, farmworkers, and people of Hacienda Luisita, Philippines.