
Love Me or Leave Me
May 26 1955
•2h 2m
•Music, Drama, Romance
A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.
Cast
See all
Doris Day
Ruth Etting

James Cagney
Martin Snyder

Cameron Mitchell
Johnny Alderman

Robert Keith
Bernard V. Loomis
Recommendations
See all
Kizumonogatari Part 1: Tekketsu
One day, Koyomi Araragi encounters the horrifying vampire, Kiss-shot Acerola-orion Heart-under-blade A.K.A. the "King of Apparitions." He saves the fatally wounded Kiss-shot by offering his blood at the expense of his own life as a human. Now Koyomi has to face the vampire hunters to retrieve Kiss-shot’s limbs which were taken by these hunters...

13 Rue Madeleine
Bob Sharkey, an instructor of would-be spies for the Allied Office of Strategic Services, becomes suspicious of one of the latest batch of students, Bill O'Connell, who is too good at espionage. His boss, Charles Gibson confirms that O'Connell is really a top German agent, but tells Sharkey to pass him, as they intend to feed the mole false information about the impending D-Day invasion.

It's a Wonderful Life
A holiday favourite for generations... George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.

The Help
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.