
Angane Thanne Nethave Anchettennam Pinnale
Jun 03 2016
•2h 5m
•Comedy, Romance
The village of Kanakkodu is free of politics and political parties. Pala Thankachen spread the seeds of politics in the calm atmosphere prevalent there. Consequently, the villagers divide themselves into different political groups.
Cast
See all
Narain
Karthika Perumal

Meera Nandan
Anu

Mukesh
Paala Thankachan

Ramesh Pisharody
Wilson Puthuppally
Recommendations
See all
By The People
Two years after the events in 4 the People, a group of four students join up to fight corruption in education. They are angered with the suicide of a student who does not get a loan for her studies. The police department brings Rajan Mathew (Sunil) back from the administrative job that he had been shifted to for killing a student

The Lama Avenger
When two acrobats are fired for fighting with punks in the audience, they go to live with an aunt who's being pressured to sell her house for a real estate development. The developer's nasty son, Lee Fu, decides to muscle the sale, and soon he's at war with the acrobats, plus their unlikely ally, an American named John who used to be Lee Fu's friend. The acrobats open a kung fu school, the scene of several battles with Lee Fu's thugs. A fight to the death, jail time, auntie's surprise decision, a budding acting career, a possessive girlfriend, a debilitating injury, a friendship that needs recalibrating, and Lee Fu's avenger are all in the mix before the end.

The Upload
A group of AV students on the search for a groundbreaking story stumble across a school-wide scandal, one that poses a threat to their future education, but also to their friendship.

The Misanthrope
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.