Madam

Madam

5.6

Aug 14 2015

1h 16m

Romance, Drama

Ma-nim (Kim Jeong-ah-II) becomes a widow after her husband dies from sickness and she arrives at Bukgando to get remarried. Her new husband is a handsome and wealthy man but he is killed by a Japanese even before she spends a night with him. Ma-nim is alone in the big house once again. Everyone by her husband's side leaves and only the grandfather and slave named Bau are left behind. One day, Ma-nim notices that Bau has a way of staring at her and she is overcome by a strange feeling. She'd to oppress her desires as a woman because of her two short marriages and strict identity. Bau had never made love with a woman before but she didn't mind his gaze on her. The two of them start a forbidden love behind grandfather's back...

Kim Jeong-ah

Kim Jeong-ah

Madam (마님)

Kim Ji-hoon-VI

Kim Ji-hoon-VI

Bow (바우)

Dong Bang-woo

Dong Bang-woo

Grandpa (할아범)

Amy

Amy

Jeong-ah (정아)

Recommendations

See all
Love Skill
5.0

Love Skill

2013

Tae-Hoon runs a factory in the Philippines, which processes mangos. Soo-Jin is an ordinary working woman, who dreams of experiencing love like it is fate. One day, Soo-Jin decides to take a trip to the Philippines with her friend, Ji-young. In the Philippines, Soo-Jin meets Tae-Hoon and falls in love with him

Family Reconstruction
5.7

Family Reconstruction

2017

Gwang-sik is a single father with a son and Hae-ra is a widow with a daughter. They get remarried and become one family. Gwang-sik's son Myeong-ho and Hae-ra's daughter Dal-rae are brother and sister but they end up having sex. Their parents notice something is wrong but they pretend they don't know anything. That's because Gwang-sik feels attracted to Dal-rae and Hae-ra feels attracted to Myeong-ho. They go on a family trip to Kangwondo. They end up colliding with their sexual desires for each other and in the end, their family is reconstructed.

Green Street Hooligans 2
5.0

Green Street Hooligans 2

2009

Following the deadly climax of "Green Street Hooligans," several members of the West Ham firm and numerous members of Millwall end up in jail. The GSE quickly discover the brutality of life on the inside, as they are constant targets of the superior numbers and better-financed Millwall crew.

Film
6.6

Film

1967

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.