All Recommendations
The Penthouse
A rich young woman fights to save her life when she is held captive by an obsessed former friend in her own penthouse.
GCW: Fight Club Houston
On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!
Die Nibelungen: Kriemhild's Revenge
When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.
Kamarád do deště II: Příběh z Brooklynu
Florence Fight Club
Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.
...Re
Re is a Kannada comedy drama starring Ramesh Aravind and Anant Nag. A rich man arrives at an old palatial house to find that his ancestors are cursed to an afterlife in the house. Now it becomes his responsibility to undo the curse.
Test
Rama Rama Re
It is a simple story of a convict on death row, who escapes from prison and accidentally ends up with a veteran who is called upon by the authorities to teach the process of hanging a convict to the new staff.
Spanola Pepper Sauce Company
This heartwarming story explores the life of Tookie Spanola, the founder and owner of the Spanola Pepper Sauce Company, and some of the changes that have taken effect during his tenure.
The Senior Class
By agreeing to keep his crush's secret, a college student becomes her friend. But things soon fall apart when she gets swept up in scandalous rumors.
The Communist
The “Film about the Father” is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912–1999) has tackled this task with a complete lack of vanity, but with insistence: measured and calm, honest and intellectual, analytical and personal. He uncovers a mosaic that renounces both the teleologies of the self-styled winners of history and the simplifications of (West) German Oscar nominees. This film is not about the lives of others, but about his own life. Not about yesterday, about today, too.
Gasping for Air
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
123 from Amalapuram
Paramdham, Pedda, and Chinna are three spoilt brats who fall in love with the same girl. Later, they move to Vizag due to their reputation and help a girl overcome her troubles and move ahead in life.
Hunger
The world is divided into two parts: 'The Building city' where the rich live, and the 'Hachon' where the poor live. Living in the 'Building city' with her family, Yuji dreams of moving to 'Hachon' one day. If she goes there, she might meet Seojin, who suddenly disappeared. Yuji's parents can't accept a reduction in wealth and are obsessed with their present lives. Yuji's siblings are also troublesome. Yuji's empty daily routine is shattered one day when a huge tornado hits both the city and the countryside.
Phosphor
Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
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How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.