
Galinha Pintadinha – 10 Anos
Jul 07 2016
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Mickey Mouse Clubhouse: Mickey's Adventures in Wonderland
Get ready to join Mickey and friends on their most amazing adventure ever -- a new movie classic inspired by Disney's ALICE IN WONDERLAND. It's Daisy Duck's birthday, and, in preparation, Mickey Mouse and Donald Duck have arranged a surprise party and bought a cuckoo clock as a present. However, the bird inside the clock escapes, leading Donald and Mickey into a strange fantasy world, modeled after Lewis Carroll's Wonderland. Some friends tag along for the journey, and some even appear as characters from the original tale. Goofy becomes the Goofy Hatter and Clarabelle Cow becomes Queen Clarabelle.

Red Desert
In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.

My Friends Act III
This time the "amici" (friends) are just four: Necchi, Meandri, Mascetti and Sassaroli. Nevertheless they are older they still love to spend their time mainly organizing irresistible jokes to everyone in every kind of situation. Mascetti is hospitalized in a geriatric clinic. Of course the place become immediately the main stage for all their jokes. After some jokes they decided to place an ultimate incredible and farcical joke to the clinic guests.

Good Morning
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.