Black Stone
Jan 06 2006
•1h 0m
•Documentary, Drama
This film illustrates the lives of children growing up in the area of Hajar al-Aswad (Black Stone), a poor district of Damascus. The four children in the film collect metal scraps to sell in order to help sustain their families economically, yet their wanderings give them the ability to explore and dream.
Cast
See allNo cast information found.
Recommendations
See all
Out of Coverage
A Syrian film, released in 2008

Gasping for Air
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Wong Fei-Hung : Return of The King

1-2-3
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.