Our Homeland

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

Room No.7

In a DVD-themed sex hotel, a young employee has hidden drugs in room #7 for criminals in exchange for wiping off his debt. But then his boss hides a dead body in the same room and locks the door. And a dangerous battle of wits ensues between a man who must lock away the secret behind the door, and another, who must go inside.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

Forest

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.