Doctor Who: The Stones of Blood

Doctor Who: The Stones of Blood

8.0

Nov 18 1978

2h 40m

Action, Adventure, Drama, Science Fiction, TV Movie

Searching for the third segment to the Key to Time brings the Doctor and Romana to present-day Earth, where the travellers have to contend with stone circles, Druidic rituals and a not-so-mythical goddess known as the Cailleach.

Tom Baker

Tom Baker

The Doctor

Mary Tamm

Mary Tamm

Romana

John Leeson

John Leeson

K-9 (voice)

Beatrix Lehmann

Beatrix Lehmann

Professor Rumford

Recommendations

See all
Doctor Who: The Androids of Tara
7.3

Doctor Who: The Androids of Tara

1978

Finding the fourth segment of the Key to Time was simple enough, but holding onto it may be another matter. The Doctor and Romana find themselves embroiled in the political games of the planet Tara, where doubles, android or otherwise, complicate the coronation of Prince Reynart.

Doctor Who: Revelation of the Daleks
9.2

Doctor Who: Revelation of the Daleks

1985

At the Tranquil Repose mortuary, the Doctor and Peri uncover a sinister plot to create a new breed of Daleks under the supervision of the mysterious Great Healer.

Doraemon the Movie: Nobita's Little Star Wars 2021
6.5

Doraemon the Movie: Nobita's Little Star Wars 2021

2022

One day during summer vacation, a palm-sized alien named Papi appears from a small rocket that Nobita picks up. He is the president of Pirika, a small planet in outer space, and has come to Earth to escape the rebels. Doraemon and his friends are puzzled by Papi’s small size, but as they play together using the secret tool “Small Light”, they gradually become friends. However, a whale-shaped space battleship comes to earth and attacks Doraemon, Nobita and the others in order to capture Papi. Feeling responsible for getting everyone involved, Papi tries to stand up to the rebels. Doraemon and his friends leave for the planet Pirika to protect their dear friend and his home.

Return
7.0

Return

1975

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.