All Recommendations

Crossroad

Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it. The movie encompasses ten feature films of fifteen minutes each, with each featuring prominent female artists from Malayalam film industry as the protagonist and is directed by a prominent Malayalam filmmaker. The movie showcases the vibrant facet of each woman and tells the story from her perspective.

Ayyappanum Koshiyum

The story revolves around the clash between Ayyappan, a senior police officer who serves at the Attappadi Police Station and Havildar Koshi, who comes to the village with a motive.

Gay ?

"I'm gay, I'm a fag, I'm proud and I really love sex."

Ki Kore Toke Bolbo

A woman wants to divorce her husband, but is forced to live with him for six months first. Will she long to be with the one she loves, or will she learn to love the one she's with?

Tamalpais

Shot on Mount Tamalpais, a spatial matrix replaces temporal causality with contiguous space. A view of landscape is taken apart, to be reconstituted through memory. The grid, a reference to the “veil of threads” invented by Albrecht Dürer as an aid for perspective drawing – to transfer vision to a sheet of paper – is used for an opposite effect – to disperse a landscape across time. The viewer is asked to remember the space as it passes and reconstitute it from memory, actively connecting the image across space and time.

Go Home

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

Juke: Passages from the Films of Spencer Williams

Thom Andersen (Los Angeles Plays Itself, Red Hollywood) reconsiders the films of Spencer Williams, the pioneering African American screenwriter, director, and actor whose 1940s melodramas centered on sinners and saints—Beale Street mamas and storefront preachers, crime bosses and upwardly striving lawyers and soldiers—who are tempted by jazz and sex and then set back on the glory road to salvation. - MoMA

Justimus esittää: Vertin villi opiskelijavuosi

The Age of Dundjerski

Artistic look at the relationship between Serbian poet Laza Kostic and Lenka Dundjerski, the lovely daughter of the richest man in 19th century Vojvodina, who inspired him to write his masterpiece "Santa Maria della salute".

LIFE

Elina's boyfriend left her for her best friend. The girl takes a bottle of wine and decides to remember the last best moments of her life.

Shelf Life

Trapped in a bomb-shelter for thirty years, three adult children act out scenes from television shows in an imitation of 1960's life.

The Gift That Gives

The Gift That Gives follows the story of Callum Mori (Takaya Honda), the author of a book entitled, The Gift That Gives. He makes his first television appearance as a guest of The Arts Corner television show, presented by Kate Sedgeman (Lily Brown-Griffiths), who falls for him. Callum, however, falls for her best friend, Linda (HaiHa Le). Linda owns the bookshop where Callum launches his book but luckily for Kate, fate brings her and Callum’s brother, Austin (Damien Sato) together, as they discover hidden love letters, signed by aliases. Jointly, they all try to find out who penned them.

Bride. Groom. Herring

Even after returning to your home, you are not immune from speculation, condemnation and reprisals.

Sei Kalodin

Sei Kalodin is a 2022 Bengali short film, it was directed by Biswajit Das and and produced under the banner of Barsha Production (Film Production House) Cast: Pranab Kr Nath, Sourajit Acharjee, Abir Acharjee, Satirtha Debnath, Gopal baishnab.

Last Song in Paris

Louie (Leslie Cheung), a spoiled pop star, has a one-night stand with beautiful dancer, Anita (Anita Mui). When Anita tells Louie that she dreamed of becoming a singer, he brings her to the stage and becomes a star. Anita has fallen in love with Louie, but Louie loves Julia (Joey Wong). However, Louie later finds out that Julia is dating his father, Kent (Paul Chu). Louie then leaves Hong Kong and heads to Paris leaving his career behind. Then he meets, Yuan Yu-shih (Cecilia Yip), a Vietnamese refugee that suffers from a war wound. In Paris, Louie lives his new life happily as a dishwasher with his new lover. However, his past life starts to come back when Anita comes to pay a visit.

Work

In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.

Swan Lake

Perhaps the most popular ballet video ever released, this version of Tchaikovsky's beloved work stars one of the most famous classical dance partnerships of all time, Rudolf Nureyev and Margot Fonteyn. Nureyev choreographed this production for the Vienna State Opera Ballet. Two icons of 20th-century dance in magnificent form. Ballet authority John Lanchbery, former music director of the Sadler's Wells and Royal Ballet companies, as well as of American Ballet Theatre and Australian Ballet, conducts the Vienna Symphony Orchestra in Tchaikovsky's enchanting score.

Videohome

In the midst of a strike, people find their liberty limited by the walls of their homes. In these micro-worlds there are no rules nor conventions and home becomes a white canvas where anyone can rethink life and its nonsense.

Flower Buds

Flower Buds tells the story of the gradual breakdown of a family living in a small town. Each character lives according to his or her own ideals. Agata wants a happy life far from home, fully aware that her only hope is to escape and therefore betray those close to her. Honza believes in the purity and power of love, regardless of the circumstances under which it is born. Kamila looks confidently to the future and does not intend to accept the misery of the present. The only Jarda knows that he will not change the world or himself. Aware of his weakness, he does not even try. In his mind, of course, his addiction to slot machines, which has led to a nearly impossible situation, is as certain as most gamblers' belief of an imminent win. The real and convincing attempt to rescue his family comes when it is too late. It is just a futile gesture, a desperate last ditch effort.