All Recommendations

La Lucha Invade el Cine Mexicano

Lucha libre is part of Mexican culture, but how did something that was shown in circuses and fairs become a cinematic genre? Join us to learn about this trajectory.

Don't Blink

A young man talks to his psychiatrist about strange visions he has been having in his dreams.

Kill Bill Parody

A woman and her child are kidnapped by her lover and plans revenge on him.

Jeevan Sangharsha

A poet gets dejected with the materialistic society around him. The only person he gets some sympathy from is a washed out working girl who gives him shelter. Rejected by publishers, he gains fame when his death is reported by a newspaper.

Intersection

A young, tormented boy struggles to let go of his abuser, guided by haunting dreams and a mysterious new coworker.

The 'Bard of Avon': William Shakespeare

Meet the man widely regarded as the greatest writer in the English language, called England’s “national poet”: William Shakespeare.

Encounters

The documentary director's reminiscences of his past protagonists, themes and inspirations as well as meetings with old friends and colleagues.

Winter Nights

A family drama about a young woman who kidnaps a decorated WWII veteran. Their road adventure fills with quirkiness and unforeseen dangers.

Coca Inc. Hecho de Coca

Seven Ages of an Alligator

Documentary footage showing the alligator in several stages of growth, from babyhood to a ripe old age; a film taken at an alligator farm in California. In early 1913 as Thanhouser staff and crews were setting up a facility in Los Angeles, cameraman Carl Louis Gregory was taking documentary footage, from which four “split reel” short subjects were created: A MILLION BIRDS, filmed at California pigeon and ostrich farms; LOS ANGELES THE BEAUTIFUL (two different version with the same title), showing scenic attractions; and SEVEN AGES OF AN ALLIGATOR, filmed at an alligator farm. Released together, HIS UNCLE'S WIVES and SEVEN AGES OF AN ALLIGATOR filled up one 1,000-foot “split reel.” (Fandor)

Azhagiyea Raadhai

Sometimes love is a tangled fantasy with lots of tragedy, feel-good moments, and more blended emotions. That's what happened in Aditya & Kaaviya's relationship.

Beauty #2

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

Fortune's Turn

A short social drama about an unemployed young man who begins to steal, but then repents and performs a heroic deed.

Palatak

A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.

Senritsu Kaiki File Super Kowa Too! Fear Adventure: Kokkuri-san

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

Toxic

The lives of a nightclub owner, a crime boss, a stripper, a bartender, two hitmen, a prostitute and a psychic take a turn for the worse when they are trapped in an escaped mental patient's sinister path of madness and destruction.

Itinéraire d'un enfant placé

Yanie is 14 years old, and the foster family who raised her is retiring. Social services believe that her mother, who is reintegrating after a prison sentence, is not yet able to take her back. So Yanie will move into a new family, with the risk that if things don’t work out, she could end up in a care home. This is an added challenge to all the others she faces, but perhaps also a chance to break away from the old patterns that weigh down her life. The film tries to capture this moment called resilience. Amid the turmoil of her existence, Yanie will develop defense mechanisms.

Undergrowth

The strange driftings of a displaced man.

Jean Painlevé Through His Films

This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.