PPP

Premiered in the framework of Bafici, Seized Files: Film School is the second collective feature sponsored by the Museum of the Cinema of Buenos Aires, this time with propaganda series produced during the fifties, aimed at a young audience also protagonist of them. The more re-concentrated nature of materials, less heterogeneous than events intervened "first project use old newsreel "Sucesos Argentinos"", makes that the movie has a more cohesive character on the back and return of the same images, flowed through various searches of each Director, creating different looks and uses. In this case, the director wanted to out his 'intervention' in all senses of the word, just like Prividera's previous feature films. In fact, in these few minutes is both using the file how in the beginning of Fatherland (2011), and the intertitles deployed on M (2007), in base a quote it reconsiders those old images and words looking for its resonance in our present.

Ddongrye

In a village in Jeolla-do,'Na Dong-rye', nicknamed'Dung-rye' because he fell into a dung pain as a child, died on the first night of his honeymoon as a boksangsa. After that, Dungrye lived as a cheongsang widow. 'Madalpi', a local barber who didn't know the truth about Tongrye, was captivated by her own lust and took Tongrye to the mountain, to the river, and to a karaoke room. The blood seizes the chance, and induces the shit-rye to seize it. Madalfi, who is ignorant of the in-depth situation of shit-rye, is obsessed with her instinctive instincts and detests the shit-rye. When it reaches its peak, it stops and dies as a victim. After that, as the years passed, the old bachelor named'Jinmu', the first love of Dungrye, appeared to Dungrye, who has a great karma in his life, and a new relationship is formed...

Barbie

Barbie comes home from shopping. She takes her groceries out of the bag and unwraps a little Barbie doll. She fries up the Barbie doll and eats it.

Scooby-Doo: Agence toutou risques, vol. 2 : Le fantôme de la télé