
Hoboes in Paradise
Jul 15 1945
•1h 25m
•Comedy
In a Provençal village, two jolly good fellows, Boule and Pons, decide to dress as Saint Anthony and Saint Nicholas for the distribution of presents to the children on the feast of Saint Nicholas. They unfortunately get killed by a cart and find themselves in Hell where Lucifer and his demons duly torment them. They are saved by a prayer which helps them to climb the stairway to Paradise. Saint Peter, taken in by the applicants' disguise, lets them in. When the two true Saints show up, trouble follows. Luckily, thanks to the intervention of the Virgin Mary, the two friends are acquitted at their celestial trial and allowed to return to Earth.
Cast
See all
Raimu
Boule

Fernandel
Pons

Armand Bernard
Mortician

André Alerme
Saint-Pierre
Recommendations
See all
La Bonne Planque
Émile and Fredo are two crooks who have just committed an armed robbery in a Paris bank. To escape the police, Émile, accompanied by his friend Lulu, takes refuge in the apartment of Antoine Perrin, a peaceful civil servant at the Ministry of Agriculture and amateur musician with the group Les Joyeux Colibris. Lulu offers to seduce him in order to prevent him from getting hit on the coffee pot.

My Friends Act III
This time the "amici" (friends) are just four: Necchi, Meandri, Mascetti and Sassaroli. Nevertheless they are older they still love to spend their time mainly organizing irresistible jokes to everyone in every kind of situation. Mascetti is hospitalized in a geriatric clinic. Of course the place become immediately the main stage for all their jokes. After some jokes they decided to place an ultimate incredible and farcical joke to the clinic guests.

French Connection II
"Popeye" Doyle travels to Marseilles to find Alain Charnier, the drug smuggler that eluded him in New York.

Good Morning
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.