Mister Pronka
Jan 01 1991
•0h 27m
•Animation
A rich American comes to Russia with a task from the government to convert some Russians to the "American faith". The American finds a ragged man named Pronka in the marketplace and makes a bet with him: he gives Pronka money and the opportunity to trade, and if he does not wash for 15 years, Pronka can take all the income for himself.
Cast
See all
Evgeni Leonov
Klara Rumyanova
Anatoliy Barantsev
Recommendations
See all
Laughter and Grief by the White Sea
Laughter and Grief by the White Sea is a 1987 Soviet traditionally animated feature film directed by Leonid Nosyrev made at the Soyuzmultfilm studio. The film is a celebration of the culture of the Russian Pomors who live around the White Sea.
Malibu Shark Attack
An underwater earthquake generates a tsunami that strikes Malibu, bringing a hunting pack of prehistoric-looking goblin sharks to the surface. Although the beach is evacuated before the big wave strikes, a group of lifeguards and a crew of construction workers are stranded in the high water and have to fight the sharks to get to dry land.
Hello
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Hello
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.