The Apple

The Apple

4.4

Nov 21 1980

1h 28m

Fantasy, Comedy, Science Fiction, Music

In the glitzy, glittering futuristic world of 1994, music is king -- and the man who controls it is all-powerful malicious mogul Mr. Boogalow. Now he has his eye on two fresh-faced young singers, Alphie and Bibi, who score a hit at his WorldVision Song Festival and fall under the irresistible spell of fame, money, and temptation.

Catherine Mary Stewart

Catherine Mary Stewart

Bibi

George Gilmour

George Gilmour

Alphie

Grace Kennedy

Grace Kennedy

Pandi

Allan Love

Allan Love

Dandi

Recommendations

See all
Exam
6.7

Exam

2009

Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation. Entering a windowless room, where an armed guard keeps watch, they are given 80 minutes to answer one simple question.

Hell Comes to Frogtown
5.5

Hell Comes to Frogtown

1988

'Hell' is the name of the hero of the story. He's a prisoner of the women who now run the USA after a nuclear/biological war. Results of the war are that mutants have evolved, and the human race is in danger of extinction due to infertility. Hell is given the task of helping in the rescue of a group of fertile women from the harem of the mutant leader (resembling a frog). Hell cannot escape since he has a bomb attached to his private parts which will detonate if he strays more than a few hundred yards from his guard.

Playing for Time
6.9

Playing for Time

1980

When a Jewish songstress is plucked from the stage and sent to Auschwitz, she and other musicians find themselves assigned to a terrible task—using their talents to soothe fellow prisoners who are sentenced to die in the gas chambers.

The Fearless Freaks
7.0

The Fearless Freaks

2005

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.