All Recommendations

A Tale of the Wind

It is an autobiographical fiction starring Ivens as an old man who has spent his life trying to "tame the wind and harness the sea" by capturing them on film.

Autumn Leaves

In These Parkas We Can Only Be Warm

Two parka-adorned silhouettes engage in a barely-audible conversation about Snapchat, grades, money, and other unintelligible topics, until one notices something on the other's glasses. It is not ice.

Quis Ser Grande e Morrer Contigo

Papá Iván

Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.

Pixinguinha: Um Homem Carinhoso

The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.

The Truth about Black Dahlia

The unexplained deaths of Elizabeth Short, a.k.a "The Black Dahlia", in 1947 and of Geneva Hilliker Ellroy in 1958, had a profound impact on the psyche of James Ellroy, today's greatest crime writer. Steve Hodel, a retired LAPD cop, reveals everything about Georges Hodel, his own father as well as the perpetratror of those two unsolved murders, the most notorious ones in 20th century America. Steve Hodel retraces this amazing investigation in which genius and horror, Hollywood and the Marquis de Sade, incest and surgery, are blended into the grimmest of scenarios.

Empire of Madness

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Kizhakkunarum Pakshi

Kizhakkunarum Pakshi is a musical film about film industry and the life and struggling of music directors, singers etc.

The Woman Racket

During a raid, a cop lets a pretty speakeasy employee escape and later begins dating her. Although she loves him, his salary and dull life leave her wanting.

No Budget Story

In order to secure money for the production of his first film, a young man asks help from a film producer. The producer, however, was involved with pornographic films.

Milk

A nice man takes the viewer through the top 10 ways in which to store milk.

Kizuna: Much Ado About Nothing

In this third part of the series Enjouji and Ranmaru are a mostly-happy couple, but when Ranmaru finds lipstick on Enjouji, he becomes suspicious and leaves in a huff. Enjouji follows Ranmaru throughout the day. As they do so, the two men think about their past and their uncertain future.

Rosamunde Pilcher: Amys Wunschkind

Sports photographer Amy Boyd's biological clock is ticking as she approaches the big 40. Nevertheless, her desire for a child is great, but she just can't get pregnant. She decides to go to a fertility clinic, but her partner Derek is not very enthusiastic about it. However, Amy is so desperate to have a child that she would go it alone. She is hoping for the support of her mother Libba, who also raised her alone. However, the death of her husband Jay almost 40 years ago still affects her, which is why she doesn't think much of Amy wanting to have a child from an unknown donor.

Two in Love

Sergei, an aspiring musician, accidentally meets a deaf-mute girl, Natasha, and falls in love with her. He has to change a lot to prepare himself for a new relationship with a different and very vulnerable person. Natasha is like an alien or an alieness with whom Sergei has to find a completely new language to speak. Natasha tries hard to understand his musical world. The problem is that Natasha lost her hearing during the war and associates sounds with fear and pain. Even a symphony concert is torture for her.

VH1 Storytellers - Matchbox Twenty

Platinum hitmakers Matchbox Twenty hit the stage and tell the tales for the groundbreaking VH1 series, "Storytellers." Starting with their 1996 debut, "Yourself or Someone Like You," Matchbox Twenty has built a devoted following that continues to grow with each new record and tour. Filmed at New York City's Chelsea Piers, Matchbox Twenty perform their many hits including a stripped-down version of the timeless "3 A.M." with Rob Thomas at the piano. Songs: Bent, Mad Season, Black and White People, Push, If You're Gone, Crutch, Lonely Weekend, You Won't Be Mine, Rest Stop, 3 AM.

The Great American Songbook

Sparkling performances by Judy Garland, Lena Horne, Al Jolson, the teenage Dorothy Dandridge and the flash-dancing Nicholas Brothers light up this great documentary that originally aired on educational television. Using rare and never-before-seen footage, singer-pianist and musical historian Michael Feinstein hosts an informative look at the composers and lyricists who wrote America's standards from the 1890s through the mid-1950s.

My Music, My Roots: Carlos Vives

Carlos Vives remembers his life in Santa Marta and Bogotá, Colombia. It was there that his artistic sensitivity turned into a reality. In an intimate way, he recalls the importance his father and brother had for his early musical training and the songs of the travelling artists who visited his home, which have forever been an inspiration for him. Carlos talks about the voices of the street which have left his songs with a particular tonality thanks to which he has managed to place Colombian music at the very top of the global scene.