
Rakos... No. 14, kai o protos bounakias
Mar 07 1985
•2h 36m
•Comedy
A really skinny guy finds out that he has incredible strength in his punches. After starting a boxing career a lot of people try to take advantage of his talent.
Cast
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Stathis Psaltis
Iraklis Spinos

Giorgos Vasileiou
Roberto

Sofia Aliberti
Mirto

Magda Tsagani
Iraklis mother
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Οι Επικίνδυνοι
Panos comes to Athens in search for a better life. He is fed up with life in the countryside, unemployment and the whole situation with his family. He hooks up with a bunch of ambitious- but unemployed- teenagers. One night at a disco, Panos beats up a guy who is asking for trouble. He leaves the club along with his friends. The other guy cannot calm down without taking revenge so he takes his friends and they beat up Panos & co. The following night, Panos rapes the guys sister. Afterwards he apologises and they start a relationship. She gets fired from the super market where she works for helping Panos steal. Panos cannot live in misery anymore and steals a yoghurt factory with the help of his friends. The ending is tragic...

Fight!! Spirit of the Sword
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Timro Chanchale Chulbule Yoban
The music video Timro Chanchale Chulbule Yoban weaves a story of longing, fleeting connections, and unfulfilled desires. Aanchal and Udip, a married couple from Nepal, are struggling with an unhappy relationship. Seeking a break, Aanchal travels to the UK for a holiday. Meanwhile, Paul, a handsome and strong man living in London, dreams of finding the perfect woman to marry. Their paths cross at Tower Bridge, where Paul is instantly captivated by Aanchal's beauty. Mesmerized, he begins to follow her through the city-Tower Bridge to Waterloo Station, and finally to London Bridge-imagining a future together filled with love and happiness. But when Paul turns to approach her, Aanchal suddenly disappears. Reality strikes, and Paul learns she is already married, her sadness hidden behind her beauty. This realization brings Paul back to reality, leaving him to reflect on the bittersweet nature of love and missed chances.

Film
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.