Until the Lights Come Back

Until the Lights Come Back

6.0

Nov 19 2005

2h 12m

Drama

A Christmas Eve power outage provides a collection of troubled Tokyo denizens the opportunity to come clean on the misdeeds of their past.

Etsushi Toyokawa

Etsushi Toyokawa

Shinichi Kido

Tomoko Tabata

Tomoko Tabata

Nozomi Kanou

Tomorowo Taguchi

Tomorowo Taguchi

Ryotaro Saeki

Tomoyo Harada

Tomoyo Harada

Saeki's wife

Recommendations

See all
PorNO
5.2

PorNO

2010

Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.

Hello
5.4

Hello

2014

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Gunpowder
5.9

Gunpowder

1985

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Hello
6.3

Hello

Invalid Date

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.