Libres
Feb 20 2012
•0h 4m
•Misappropriation of the background from the 2012 N.S poster: "A Strong France". The poster is once more subverted. But this time, it is up to you to hear, to see, and to understand what it means. The future belongs to us !
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This Is an End
This experimental short film plays on genre conventions and expectations. Loosely connected elements from the Nouvelle Vague, thrillers and silent film raise questions: What do the three young men in the car have to do with the woman in the café? Who is she waiting for? Electronic sounds from the artist padeluun, reminiscent of radio noises, link the scenes and give the impression that aliens are the observers of these mysterious events.
Chunauti
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
EVOLVE 89
EVOLVE 89 was an event put on by Evolve which took place on July 9, 2017 at the Marietta Event Hall in Marietta, Georgia.
Tender Fictions
Childhood stories of the artist as a young lesbian and intimate tales of the lesbian as a young artist underscore the filmmaker's life of performances. With a Swiss army knife she robs an American Express Bank in Morocco, accosts a shepherd in a field on International Women's Day, and tap dances on Shirley Temple's star on Hollywood Boulevard. This child movie star was the ideal by which Hammer's ambitious mother measured her own Barbie. Grandma, already a cook for Lillian Gish in Hollywood, introduced the cute, loquacious child and her mother to D.W. Griffith. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique and to provide an ironic edge to the synthesized "voices of authority".