All Recommendations

Behind the door

An experience of breaking into buildings and creating new homes for homeless families in Rio de Janeiro in opposition to a series of forced evictions by the State. These evictions initiate a major intervention project in the city intensified since 2007. In the documentary, the project called “revitalization” is questioned by the residents of various occupations.

NO STEP

A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"

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A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Dharmaveer 2

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

You Will Gain In Battle

Set in the Soviet Union in the 70's. The plot is based on real industrial conflicts in the life of the country's largest metallurgical plant, where there are many acute problems. Modernization of Soviet metallurgical industry causes a clash between old style Communist bosses and the new generation of engineers and managers.

Fate

Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. Two detectives are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell.

Getting Wasted

An uptight military school gets a dose of hippie-infused rebellion when a group of students gather in support of the 1960s uprising going on around them. When a few students decide to bring the more liberal, artsy side of the revolution onto campus, they face opposition from much of the school's staff.

Bartolo toca la flauta

The Peasants

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

The Barbarians

If politics were to come back, it could only be from its savage and disreputable fringe. Then, a muffled rumor shall arise whence that roar is heard: "We are scum! We are barbarian!" (Alain Brossat)

Flame in the Streets

Flame in the Streets is a 1961 British drama film directed by Roy Ward Baker. Racial tensions manifest themselves at home, work and on the streets during Bonfire Night in the burgeoning West Indian community of early 1960s Britain. Trades union leader (Mills) fights for the rights of a black worker but struggles with the news that his own daughter is planning to marry a West Indian, much against his own logic and the prejudice of his wife.

Dragstrip Girl

Johnny is a bad guy trying to go straight and becomes smitten with Laura, a wealthy good girl who is rebelling against her parents, all set among the backdrop of 1950s Los Angeles.

Il Magnaccio

Italian 60's drama about a pimp called Il Principino and his violent and troubled relationship with a prostitute called Laura.

Kevin

It is the first time that Joana, a Brazilian, has visited her friend Kevin in her country, Uganda. They met 20 years ago when they studied together in Germany and have not seen each other for a long time. Now they are close to turning 40 and life is more complex than in youth. This is a film about a friendship between women.

Venganza gaucha

Dead Kansas

In a post-apocalyptic land consumed by "Rottens", a simple farmer and his teenage daughter struggle to survive. Meanwhile, an unruly gang make a plan to kidnap and sell the daughter for their own selfish profit.

Sexual Response

Eve Anderson, a radio call-in host helps people with their relationships, but finds her own marriage lacking. A man approaches her in a bar and soon she's tempted into an affair. The lover starts pushing her away when she starts falling in love with him, and Eve begins suspecting he has ulterior motives when he steals her husband's gun.

Projota - AMADMOL (A Milenar Arte de Meter o Louco)

Rote Movie

"'Rote Movie' is part of a series of works examining aspects of the traumatic experience. It is an examination of decay and forgetting, where what both distance and time can bring to one's private feelings of belonging and home. Highly immersed in a fragmented and disjointed haptic space of its own materiality, this film stutters out its thoughts frame by frame" - Steven Ball, 'Mesh' 3, Autumn 1994.