All Recommendations
The Last Witness
Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.
Flow
A turbulent day in a life, painted by air.
Home
A tormented woman believes a rare planetary alignment is actually a cosmic message from her distant interstellar home.
body
The film follows an introverted 20-year-old girl, Duna Canet, as she leads a seemingly normal life. Yet, at its roots she is trapped and consumed by an eating disorder that refuses to accept. In as little as a day, the struggle unravels to the point where she hits rock bottom and sets out on a path of self-discovery and acceptance.
Safari
Bombay-based Anjali Aggarwal's father, Ajit, is the owner of Aggarwal Industries. Asha challenges Ajit that she can run the business better and he accepts the challenge. Her plan is to build a new factory on a small island called Manjira in the Indian Ocean.
The Distant Relative
The distant relative is a scheming woman who installs herself as the guardian of the two orphan girls and then tries to gain possession of their ranch. Cowboy friends of the orphan girls expose the schemer and her accomplice.
Axe Dangerfield In Heart Of Steal
Axe Dangerfield is the only cop on the force with large enough cojones to put his foot down on the scum and villainy around, but having large cojones comes with a price, it comes with having a steel heart. Axe has been banished from the force and can't return until he learns to soften his cold steel heart
Ultraman Gaia: Once Again Gaia
After the battle against Zogu was over, both Gamu and Fujimiya began to live normal lives until another threat arrives on Earth - a surviving monster soldier of Zogu's army named Gakuzom.
Are We Civilized?
1934 drama of man's inhumanity to man, starring William Farnum and Anita Louise, directed by Edwin Carewe, screenplay by Harold Sherman. This film was meant to denounce Hitler prior to US involvement in WWII
Farewell Moscow
Stournara 288
Through the narration of a tenant of a block of flats on 288 Stournara street, we watch the everyday stories of people living in the city, their problems, their comic situations and their love affairs.
Runner
Haas is an 18-year-old girl who was raised by her father in the rural Midwest. When her father suddenly dies, she must carry out his wish to be buried in the town where he was born. There, she meets a young man named Will, a lonely, creative soul who is working to support his family back home. The two of them form a friendship that challenges both of their understandings of love and loss.
SexLife
Dan's ham-fisted attempts to get 'new' mother Mia into bed with hilarious, emotional and musical consequences.
Seeking Me
Luisa is beginning to forget, sometimes getting lost in the maze of her memories. At the bus station, she writes texts in an attempt to safeguard her memories, especially those involving the great love of her youth.
İşte Hayat
Kitchen
A simple depiction of the work in the kitchen of a restaurant. Eric M. Nilsson and cinematographer Åke Åstrand attempt to get as close as possible to reality, without any commentary.
Virginity
The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)