Sweet

Sweet

7.0

Jan 01 2000

0h 10m

Comedy

The story of Pete Sweet and his torrid relationship with Poppy, the imaginary sister of his friend Dave.

Noel Fielding

Noel Fielding

Pete Sweet

Julian Barratt

Julian Barratt

Stitch

Toby Walton

Toby Walton

Gary

Suzy Bloom

Suzy Bloom

Daisy

Recommendations

See all
Surrealissimo: The Trial of Salvador Dali
5.0

Surrealissimo: The Trial of Salvador Dali

2002

A comic drama about the weird and wonderful world of Salvador Dali and the Surrealists. This film charts Dali's meteoric rise from obscurity to the world's most publicised artist.

GCW Fight Club
7.7

GCW Fight Club

2021

GCW presents Fight Club straight from the Showboat Hotel in Atlantic City, NJ! The event features the GCW World Championship match where Mox defends against Gage in a match that we have been waiting for during the last decade. Who will be the new GCW World Champion?

Fight Club (Russian version)
7.8

Fight Club (Russian version)

Invalid Date

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

People
6.9

People

2021

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.