Saga
Jan 01 1968
•0h 9m
•"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.
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Aoi-chan Won't Let Me Do It
In front of a man who wants to be a movie director, Shingo, the ghost of Mr. Kawashita, who was a senior in the college film research department who committed suicide a year ago, suddenly appears on his death anniversary. Mr. Kawashita says that he was revived because he wanted to have sex with his junior, Aoi, who had a crush on him when he was in college. In order to fulfill his desire to work with Aoi-chan, Kawashita-san and Shingo will travel back in time on that day when he was in college, which was probably the only chance for Kawashita-san to work with Aoi-chan. There was a nostalgic college Aoi-chan there. Can Mr. Kawashita redo the past and do it with Aoi-chan? It's funny, but a little sad time slip love story begins.
Home
She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.
Êtes-vous jalouse ?
Germaine Moreuil's insane jealousy triggers such violent marital quarrels that the spouses file for divorce. When Germaine's parents find out, they sham a fierce spat to disgust their daughter and her husband with the pathetic spectacle of a couple at loggerheads. But just as their farce is on the brink of becoming a tragedy, events combined with the blunders of all four happily reconcile everyone.