All Recommendations
Mrs Lowry & Son
An intimate portrayal of the relationship between one of greatest artists of the 20th century, L.S. Lowry and his unhappy and controlling mother, Elizabeth, whom he lived with all his life.
The Divine Move 2: The Wrathful
In the 1990s, when Go gambling fever swept Korea, Gui-su loses everything because his father gambled obsessively until there was nothing left. Left all alone in the world, Gui-su meets a mentor and Go teacher, Il-do, and goes through vicious training to become the grandmaster of Go. He sets out for revenge on the world that destroyed his life, but soon finds himself chased by an unknown loner pursuing his own vendetta.
Irul
A dark rainy night, an empty house, a stranded couple and an unknown man. A sleek game of the cat and the mouse starts playing on, as the three of them find a dead body in the basement.
Joe Pera: Slow & Steady
Something exciting for you. It's not the winning lotto numbers; it's better. Joe Pera returns to his stand-up roots.
The Bridge to Nowhere
A group of 20-something blue-collar workers in Pittsburgh cook up a scheme to make extra money that involves prostitution. Their business takes off, then gets way out of hand.
Camp
10-year-old Eli finds himself at summer camp.
What She Said: The Art of Pauline Kael
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
Eagles - Live from the Forum MMXVIII
In 2016, after Glenn Frey died, the Eagles went on a hiatus as Don Henley decided that the band would not play again. However, Henley reversed his decision and it was announced in March 2017 that the Eagles would perform in two festivals featuring classic rock bands organized by their manager Irving Azoff, starting with The Classic West festival held at the Dodger Stadium in July that year. Henley brought in Frey's son Deacon to perform with the remaining members of the Eagles in these shows after he saw Deacon performed Glenn Frey's songs at his memorial service.
Salaam Namaste
Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families
The Last Blockbuster
A documentary on the last remaining Blockbuster Video in Bend, Oregon.
Human Capital
Ian begins a relationship with Drew's daughter, who works in the financial sector. The couple gets involved in a tragic accident that will change their lives forever. At the same time, the accident has a major impact on both their families who, despite the class difference, cross paths.
The Morning After
Fed up with her cheating husband, Louise, 45, takes off for a weekend in Corsica. But after a wild night of unbridled passion with a man who winds up dead, Louise is unwittingly mistaken for his secret, longtime girlfriend by his Corsican fearsome but loving mother.
Dance of the Dead
With Prom only hours away, the usual suspects of Cosa High (Cheerleaders, geeks, bad boys and the happy-go-lucky student council alike) are preoccupied with the annual rituals of teendom. On the night of the big dance when the dead unexpectedly rise to eat the living, polar opposite groups will be forced to unite in their final chance to save the town from the zombies.
I Used to Go Here
Following the lackluster launch of her debut novel, 35-year-old writer Kate Conklin (Gillian Jacobs) receives an invitation from her former professor and old crush (Jemaine Clement) to speak at her alma mater. With her book tour canceled and her ego deflated, Kate decides to take the trip, wondering if it might give her the morale boost she sorely needs. Instead, she falls into a comical regression—from misadventures with eccentric twenty-year-olds, to feelings of jealousy toward her former professor’s new favorite student. Striking the balance between bittersweet and hilarious, Kate takes a journey through her past to re-evaluate her future.
Ten Inch Hero
Four friends search for love and happiness while working at a California sandwich shop.
She Dies Tomorrow
Amy is ravaged by the notion that she is going to die tomorrow, which sends her down a dizzying emotional spiral. When her skeptical friend Jane discovers Amy’s feeling of imminent death to be contagious, they both begin bizarre journeys through what might be the last day of their lives.
Band Aid
A couple who can't stop fighting embark on a last-ditch effort to save their marriage: turning their fights into songs and starting a band.
Zama
In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.
Black Island
The dark secrets of a seemingly peaceful island threaten to swallow up an orphaned student when he grows close to a mysterious new teacher.
Here Today
Veteran comedy writer Charlie Berns, who is slowly but surely losing his grip on reality, befriends a talented young New York street singer Emma Payge. Together, they form an unlikely yet hilarious and touching friendship that kicks the generation gap aside and redefines the meaning of love and trust.