
Almanya: Welcome to Germany
May 13 2011
•2h 41m
•Drama, Comedy
After living 45 years in Germany, the Turkish Hüseyin Yilmaz, seventy, announces to his family that he has bought a house in Turkey and they should return to make the necessary reforms. The idea is unwelcome and causes very heated discussions. In addition, Canan, a granddaughter of Hüseyin, announces she is pregnant and the father is her English boyfriend, and no one knew anything.
Cast
See all
Denis Moschitto
Ali

Fahri Yardım
Hüseyin

Arnd Schimkat
Police Officer

Petra Schmidt-Schaller
Gabi
Recommendations
See all
Annaluise & Anton
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

Hotel Lux
In 1938 Hans Zeisig, an apolitical comedian, impersonator and cabaret actor, flees with a Russian passport (instead of American, which he would have preferred) from Nazi-Berlin, and finds himself in the legendary Hotel Lux, the 'lost paradise' of the Comintern, in Moscow. Everyone believes that Zeisig is a man named Hansen, Hitler's personal astrologer. But Zeisig quickly realizes that he's gone from the frying pan into the fire. In the Hotel Lux he meets his friends Frida and later Meyer again, still passionate communists. For the three idealists an adventure between love and death begins to run his course.

The General Line
Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress.

A Family
Ditte owns a gallery, has a loving boyfriend and her dream job in New York is within reach. But Ditte is also the youngest generation of the famous bakery dynasty, Rheinwald, and when her beloved, but dominating father comes down with a serious illness, Ditte is faced with the grueling decision: To pursue her own dreams, or to continue the legacy of her family.