Yes
Jun 06 1963
•0h 23m
•"Yes is one of cinema's most beautiful pastorales and a manifesto of a desperately romantic soul" --Jonas Mekas
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Dalton stole Lajuan's cheez-its, and Lajuan is coming for revenge.

way
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Kiri Pritchard-McLean: Empathy Pains
Previous shows have seen her tackle structural racism, sexism, child grooming, adoption and emotional abuse so what seemingly unfunny subject has she picked to turn into laughs this year? Chernobyl? The shrinking size of creme eggs? No, empathy. Which sounds fine actually but maybe not the way Kiri tackles it. Kiri thinks that we live in a time where empathy is seen as a weakness like asthma or being first to pull away from a handshake. But why is that? Surely what we need in these divided times is more empathy? So Kiri is off on a search to find a group of people who she struggles to empathise with, what could this mean…..? Well, it means she’s spent the last year talking to non offending paedophilles on the internet. Yup, her search history is a disaster. So, come and see her make the impossible hilarious or possibly get arrested.

Run for Your Life
William Fawl, a downtrodden high school teenager with a troubled past, is sucked into a world of fear when a mysterious horrific creature begins to follow him after a near brush with death. William's world becomes a macabre spiral of murder and self-mutilation as he digs further into his mind to find the truth behind the creature and his own waking nightmares.