Sham Ghansham
Jan 01 1998
•3h 40m
•Action, Drama
Satyadev Singh lives with his wife, Ganga, and two sons, Sham and Ghansham, and their family leads a fairly comfortable life. Things turn for the worse for them when a new corrupt Collector named Bhim Singh enters their region. Satyadev is killed, and Ganga has to flee with her children away from this region, and from Bhim Singh. Years later, Sham and Ghansham have grown up and would like to avenge their father's death. Their quest takes them to Collector Bhim Singh and his men, who are ready to let history repeat itself, by killing the sons of Satyadev Singh.
Cast
See all
Rakhee Gulzar
Ganga
Chandrachur Singh
Sham
Arbaaz Khan
Ghansham
Priya Gill
Geeta
Recommendations
See all
Haadsaa
Asha lives in poverty with her alcoholic father in Bombay, before being sold to an impotent husband. A series of events leads her to love.
Star
Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?
Hello?
An actress visiting Hollywood for the first time books a dream apartment on AirBnB, only to discover a horrifying presence is staying there with her.
Terra Nullius or: How to Be a Nationalist
Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.