Mass Destruction: The Greatest Night in Kickboxing!
Aug 02 2002
•2h 58m
•Van Damme never did it. Seagal never did it. Jackie Chan never did it. What did they never do? Fight in a championship kickboxing bout, that's what! Now, Mass Destruction gives you the chance to witness everything they missed, as action film star Don "The Dragon" Wilson, 10-time World Kickboxing Champion, returns after a 7-year absence to challenge Dick "The Destroyer" Kimber in the greatest night in martial arts history.
Cast
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Camille is a composer going back to his homeland Lebanon to write a song about his country. Raya is looking for her lost son. They meet, fall in love, and discover the despair of the people of war-torn Lebanon.
Film
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Film
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
A
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.