Rope Sisters: Strange Fruit
Feb 17 1984
•1h 10m
•Thriller
Muraki is a failure in his job as a salesman and has to deal with his wife's disappointment and criticism at home. One day, after sleeping in a park, he happens upon two women who look like they've been victims of a sexual assault. He helps them but as night comes an increasingly twisted mindgame unfolds between the involved parties and it is no longer certain who's the victim and who's the perpetrator.
Cast
See allToshiyuki Kitami
Muraki
Makoto Yoshino
Hiromi
Hiromi Saotome
Sayaka
Shoichi Itô
Uchida
Recommendations
See allEducating Yuna
Yuna is a shy and innocent college student. One day, she meets Professor Shibuya, a famous art critic and collector. Yuna is infatuated by his personality, and falls in love with him. Professor Shibuya invites Yuna to his countryside home, to help him organize his art collection. There, she meets Erika and Miho, an S&M queen and her mistress. Through them, Yuna is introduced to a new, unfamiliar and tantalizing world, which tests the boundaries of her acceptance.
Soft Skin
Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.
Green Book
Tony Lip, a bouncer in 1962, is hired to drive pianist Don Shirley on a tour through the Deep South in the days when African Americans, forced to find alternate accommodations and services due to segregation laws below the Mason-Dixon Line, relied on a guide called The Negro Motorist Green Book.
Creep
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.