Vintage Car
Mar 29 1957
•2h 34m
•Comedy, History
Cast
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Raymond Bussières
Marcel Frontenac
Ginette Pigeon
Nanette Frontenac
Luděk Munzar
Frantík Projsa
Radovan Lukavský
Václav Klement
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A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.
The Big Durian
On the night of 18 October 1987, a soldier ran amok with an M16 in the area of Chow Kit, Kuala Lumpur. Due to the thorny circumstances of the time and place, his amok triggered a citywide panic and rumours of racial riots. Why did he do it? Why were Malaysians so jittery at the time? And what happened next? "The Big Durian" speaks to 23 Malaysians (some real, some fictional) to find out.
Bad Company
It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.
The Dinner Guest
Icíar and Fernando are young. They are both going through the most traumatic experience of their short lives: the loss of a parent. But Fernando and Icíar can neither share the pain nor the strategies for dealing with it. They live in different times. Fernando in 1977 in Bilbao faces the kidnapping of his father by ETA. Icíar in 2011 in Navarra faces her mother's fulminating cancer.