Untitled / Aubrac
Mar 18 2016
•0h 1m
•Animation
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Eighteen fragments from Malcolm Le Grice’s After Leonardo
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
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When his employer goes to Florida, a butler masquerades as a millionaire and winds up getting involved with an heiress.
Selkvinnen
The Faroe Islands during the 18th century. Danish bailiff's control the island. In Torshamn lives Master Wenzel, known as hard but just. Wenzel tries to arrange a marriage for his daughter Inger.
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Everyone is chasing a little wooden dog. Old and young, they all think it contains an elixir of life. Miranda, a manic cosmetics tycoon, thinks it's worth millions. A mob of old folk led by a pair of deranged doctors is convinced it contains the secret of eternal youth.