
Thamizhan
Apr 12 2002
•3h 30m
•Drama, Action
Surya is a lawyer with right values, who tries to redress things the legal way. He falls in love with Priya. His brother-in-law Shakthivel, also an upright lawyer, is killed in the process of upholding justice. Surya's sister also meets a pitiful end at the hands of criminals. But Surya refuses to give up. His mission is to make the layman understand his legal rights and how he does so forms the crux of the story.
Cast
See all
Vijay
Surya

Priyanka Chopra Jonas
Priya

Nassar
Shakthivel

Revathi
Surya's sister
Recommendations
See all
Unnai Ninaithu
A young man tries to explain to his lover that her fiance is a crook. She refuses to believe him. Later, she realizes her mistake and comes back to him. But the man now loves another woman.

Zombie Fight Club
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
Ultimate Driving Craft 3 - Eyes on main beam
Chris has vast experience in driver training both as an advanced driving instructor and driving examiner. This is the third in the Ultimate Driving Craft series of high quality advanced driving DVDs which have received international acclaim having sold to 39 countries. Filmed with two HD professional movie cameras and professionally edited by Green Gecko Television Ltd who have also added some excellent animation to support Chris's teaching of driving skills. In this DVD Chris highlights a problem that affects all drivers. It is called the natural focal point and not the best way to drive. He explains what it is, why it happens and what we, as drivers, can do about preventing it.

People
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times