All Recommendations

The United Monster Talent Agency

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Re/cycle

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Evolução

HELLO

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

Killer Tomatoes Eat France!

After being busted out of jail by his tomatoes, Professor Mortimer Gangrene begins a new plot to take over the world by inserting his hapless lackey Igor into the throne of the King of France.

Re-Births

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

Hello

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Kathai Thiraikathai Vasanam Iyakkam

A scriptwriter calls his friends over for a discussion to create a script for his first film. The group consists of a cinematographer, a director-wannabe with 40 years of experience and three young assistant directors.

Hello

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

Hello

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

K2 weer K3

In deze special kun je zien hoe het verhaal van Karen, Kristel en Josje begon: van de massaaudities tot een samenvatting van de finale met exclusieve beelden achter de schermen. Na hun allereerste persconferentie beginnen de 3 meiden vrijwel meteen aan de tournee voor hun nieuwe theatershow. Onze nieuwe K3 heeft een overvolle agenda: ze zijn te gast in Nederland bij Paul De Leeuw, beginnen aan een promotour in Nederland en België, kiezen nieuwe K3-outfits, doen een fotoshoot voor hun nieuwe album, nemen de videoclip op voor 'De politie'… en dan breekt het moment aan van hun eerste optreden in Nederland. Uiteraard heeft Josje een verrassing gepland om Karen en Kristel in haar thuisland te verwelkomen. In de backstage van de Amsterdamse RAI wacht Josje echter ook een verrassing: haar zus komt op bezoek. Deze special wordt afgesloten met de voorstelling van het nieuwe K3-album: een onvergetelijk moment in de K3-geschiedenis.

Hello

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Golden Glamour

This short film looks at the history of gold, and how the less expensive gold filled process is used to bring glitter to the masses.

Drained

Truck driver Teddy's late night stop at a gas station takes a dark turn when he meets the mysterious hooker Katerina, leading to unexpected consequences.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Summer in the City

After an extensive prison term, a free man wanders into a new reality.

Hello

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Slice and Dice: The Slasher Film Forever

A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!