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123 from Amalapuram

Paramdham, Pedda, and Chinna are three spoilt brats who fall in love with the same girl. Later, they move to Vizag due to their reputation and help a girl overcome her troubles and move ahead in life.

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How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Morning Musume.'19 DVD Magazine Vol.123

It features behind the scenes footage of the Morning Musume.'19 Concert Tour Haru ~BEST WISHES!~, from April 14 at ORIX Theater up to May 12 at Sapporo Cultural Arts Theater hitaru.