All Recommendations

CHARTBUSTING 80s Volume 5

"Chartbusting 80s Vol 5 - By Request" features the 35 most requested 80s clips as voted for by fans of the top rating Channel 31 show, hosted by Queen Josie Parrelli. Included on this DVD are classic clips from New Order, Divinyls, Mondo Rock, David Bowie and Mick Jagger, twisted Sister, Rick Springfield, Men at Work. Communards, Underworld and many more! Also included is a bonus DVD of highlights and performances from Chartbusting 80s 2007 season. The clips featured on this DVD are the original versions and have not been digitally remastered - therefore the sound and vision quality may vary.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

Gunpowder

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Film

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

Avengers from Hell

Three macabre short stories about gambling, vengeance and homicide.

Vacation of Petrov and Vasechkin, Usual and Incredible

In the first part, the students complain that classic works of literature have no bearing on modern life - and find themselves in a situation strangely resembling something they've read... It's Gogol's "Inspector General" - but set in a summer camp... In the second part, after reading Don Quixote, the ever-adventurous Vasechkin convinces more cautious Petrov that he has found a game that they could play for life. No sooner they go off than Vasechkin, on a bike, brandishing an umbrella, attacks a giant... That is, a windmill...

Milestones

A portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. Cutting back and forth between six major story lines and more than fifty characters. Exploring the lifestyles and attitudes of the American left during the period following the Vietnam War.

Six Reasons Why

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Il suono della voce

The Mould

Under the pressure of the international community, the Serbian Government establishes a Mixed Commission, and conferred to it the examination of facts in the affair "missing babies" that has lasted for several decades.

The Phantom Stockman

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

The Chicest Man in Roxie

Hassan and Rabea are two young men living in the Roxy area of Cairo. Rabea succeeds as a popular singer with the help of his good friend Hassan.

The Supplement

An examination of the relationship between an indecisive medical student and his fiancee.

Mobile Suit SD Gundam Mk II

Mobile Suit SD Gundam Mk. II delivers with more tongue-in-cheek humor than the first series. In "The Rolling Colony Affair," a colony is hosting a cabaret show featuring the girls of Gundam. But the show turns disastrous when men and mobile suits go crazy over the girls, sending the colony rolling out of control. A parody of the videogame RPG genre, "Gundam Legend" has Amuro, Kamille and Judau sent on a perilous quest to rescue the princess of the Zeta Kingdom from Char Aznable and his vicious Zeon MS forces.

G.I. Blues

Stationed in West Germany, soldier Tulsa McLean hopes to open up a nightclub when he gets out of the army. Tulsa may lack the capital for such a venture, but a chance to raise the cash comes his way through a friendly wager. Local dancer Lili (Juliet Prowse) is a notorious ice queen, and Tulsa bets everything he has that a friend of his can earn her affections. But, when that friend is dispatched to Alaska, it's up to Tulsa to melt Lili's heart.

Camila's Awakening

At seventeen, Camila got too used to win. Smart and beautiful, she has managed to achieve every goal. She loves swimming and doesn’t know failure. However, the water that has given her success in the recent past, now leads her to the biggest setback of her life: a cerebrovascular accident (CVA) that will force her to reinvent herself with courage, humor, and love.

The Mummy's Tomb

A high priest of Karnak travels to America with the living mummy Kharis (Lon Chaney Jr.) to kill all those who had desecrated the tomb of the Egyptian princess Ananka thirty years earlier.

Beethoven's 3rd

Everyone's favorite St. Bernard returns in this family film about man's best friend. Richard Newton, his wife Beth and kids Brennan and Sara shove off in their camper for a road trip. Along the way, they gain a new passenger: slobbery Beethoven. The Newtons plan to return Beethoven to his owner -- but not before he turns hero when a pair of thieves enter the picture.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.