Bakas

Bakas

5.0

Jul 06 2018

2h 30m

Renee Gozon

Renee Gozon

Dimple Serrano

Dimple Serrano

James Dy

James Dy

Jac Rivero

Jac Rivero

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Curacha, Ang Babaeng Walang Pahinga
5.7

Curacha, Ang Babaeng Walang Pahinga

1998

A story about a torera (a live sex performer) who finds herself trapped in an anomalous game of association between sex, life and death, and its political equivalent of sleaze, subservicence and power in drug-addled world. Every night, she sets off to join her fellow toreras for a midnight show of fun and kitschy live sex act. In one tuning point of her life, she bumps into a long-lost friend, Myrna, a former torera, who seems to have a lost grip on life. Curacha makes it her personal mission to save Myrna as she does some sou-searching herself. In the end, we see traces of hope glimmering somewhere, somehow, in a manner that escapes the restless Curacha.

...Re
6.7

...Re

2016

Re is a Kannada comedy drama starring Ramesh Aravind and Anant Nag. A rich man arrives at an old palatial house to find that his ancestors are cursed to an afterlife in the house. Now it becomes his responsibility to undo the curse.

Panda! Go Panda!
7.7

Panda! Go Panda!

1972

Cheerful Mimiko has a wonderfully strange family—a Panda for her Papa; and his son Panny, calls her Mom! When Panny follows Mimiko to school, he must pretend to be a teddy bear so Mimiko won't get into trouble. Despite his efforts to behave, Panny causes trouble in school and now the school is after Panny! Then, Panny makes a new friend, Tiny, a baby tiger who's wandered off from the circus.

People
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People

2021

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.