Ħ❦Ш †⚈ ₡ђ@ηğe̟ ⶖ☻ЏƦ スクリーンセーバー

Ħ❦Ш †⚈ ₡ђ@ηğe̟ ⶖ☻ЏƦ スクリーンセーバー

7.0

Mar 23 2021

0h 7m

When you look into the screen, it is possible to believe that the images that are projected on it come from within us. The images captivate, but even so, they cause us bewilderment. For a moment, it may seem that everything is intertwined, but then, disorder arises again. The digital world is revealed as a labyrinth, created in our form and likeness.

No cast information found.

Recommendations

See all
The Komsomol - Chief of Electrification
6.4

The Komsomol - Chief of Electrification

1932

In this pioneering documentary, one of the earliest Soviet sound films, Shub shot a contemporary chronicle of the progress of establishing electricity across the Soviet nation, a struggle spearheaded by the Komsomol.

Sh! The Octopus
5.8

Sh! The Octopus

1937

Comedy-mystery finds Detectives Kelly and Dempsey trapped in a deserted lighthouse with a group of strangers who are being terrorized by a killer octopus AND a mysterious crime figure named after the title sea creature.

Pain
5.6

Pain

Invalid Date

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

way
5.7

way

2012

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.