Huevos a la mexicana
Sep 09 2018
•This is my digital/analog contribution to “Xochimilco Treasure Hunting” in Mexico City on the final day of "HAZLO TU MISMO," Do-it-Yourself Independent Analog Film Laboratory Encounter, Sept. 9, 2018.
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Skinside Out
Skinside Out features paint on skin, carried out in an expressionist mode on both of the filmmakers' bodies. The emphasis is on the pleasure of looking -- at the edge of repulsion -- and the implications of making public an essentially private gesture. The film posits painting as a gendered, bodily act, whose location shifts continually within a context that's always changing. Images filmed in the studio are juxtaposed with footage of a construction barge along the Hudson. By examining both in relation to surface, the work paradoxically looks for what lies within, while questioning who and where we take ourselves to be.

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The White Ship
Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in his dreams, and buoyed by the pagan tales of his Central Asian grandfather, he feels a close communion with nature: so much so that when a hunter kills a stag, he too takes a final, liberating leap.