The Starting Line/La Línea
Jan 31 2017
•0h 4m
•The Starting Line captures the rhythms of a day at the Tijuana border crossing. But it’s not just any day: as people go through their routines, they listen to the local news report on Donald Trump’s inauguration. By taking the usual viewpoint—American broadcasters talking about life on the Mexican border—and flipping it on its head, The Starting Line presents an unexpected view of America’s capitol, as it appears from just over the border.
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"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

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