Lykkens musikanter

Lykkens musikanter

4.8

Feb 19 1962

1h 24m

Comedy

Villa Orfeus er en ejendommeligt gammelt hus, som er blevet et klenodie for kvarterets beboer. Det er et fristed, hvor husets beboer får lov til at være anderledes, at være sig selv i en fremmedgjort verden. Lydia Wiljengren (Ellen Gottschalch), der er enke efter en rig musikhandler, ejer "Villa Orfeus". Hun har efterhånden sat hele sin formue overstyr ved sin forkærlighed for musikalske mennesker. Den eneste betingelse for at bo i huset er, at de enten kan spille eller synge.

Dirch Passer

Dirch Passer

Elevatorfører Gogol

Ove Sprogøe

Ove Sprogøe

Havemand Texas

Ellen Gottschalch

Ellen Gottschalch

Kjeld Petersen

Kjeld Petersen

Recommendations

See all
Oskar
5.8

Oskar

1962

Oskar? That's my driver. And Tina, my maid, must have taken my suitcase with her to the baron - the one my daughter should have been engaged to. But now she is having a child with Oskar. And one of my people has stolen more than 300,000 DKR from me, because he wants to marry my daughter, who is not my daughter. And now the has girl run off with all of my jewels ..

The Screaming Throats
7.1

The Screaming Throats

1993

Copenhagen 1984. Ronni is a young, mediocre punk-guitarist, eager to make it big in the death obsessed late-punk milieu. But his girlfriend has left him, the other members of his band are fed up with his incompetence and insecure attitude, he has a problem with his stomach, his doctor wants to abuse him sexually and the former manager of the band thinks Ronni owes him some money. It seems to reach an ultimate low, when Ronni collapses onstage during an all-important concert, but it turns out to be his ticket to glory as he claims to be mortally ill

Film
7.2

Film

2012

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A
6.9

A

2002

Single-channel video installation commissioned by Public Art Development Trust, London.