C.S. Lewis Onstage: The Most Reluctant Convert
Jan 15 2018
•1h 17m
•Drama, Documentary, History
Using C.S. Lewis's own words, award-winning actor Max McLean inhabits Lewis to take us on his rigorous journey from hard-boiled atheist to "the most reluctant convert in all England." Discover how the "Hound of Heaven" purued Lewis relentlessly until he finally "gave in"... only to become the most influential Christian writer of the 20th century.
Cast
See allMax McLean
C.S. Lewis
Recommendations
See all
The Most Reluctant Convert: The Untold Story of C.S. Lewis
A journey through C.S. Lewis’ early life and his dramatic conversion story about his inner conflict.
National Family
Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.
Handling the Undead
On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?
A
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.