Not Less Than 50 Kg
Sep 28 2013
•0h 13m
•Lesya fights against the society stereotypes. She starts dealing with her own body - trying to gain weight.
Cast
See allViktoriya Kylik
Valeriy Astakhov
Iryna Rozhdyestvyenska
Lesia Lypchuk
Recommendations
See all
Karate Girl
In Okinawa, Ayaka Kurenai was born in the world’s greatest legendary Karate family. When she was a child, her family was attacked by a mysterious gang that seeks legendary black belt. Her father Soujiro Kurenai was killed and her younger sister was taken in front of her. Time has passed. In Yokohama, she was spending her life as a normal high school girl, hiding her real name and her status as a heir of the legendary Karate family. However, one incident brought her a fateful encounter with her sister who was separated in their childhood. But, her sister was raised as a heartless killing machine by the mysterious gang who took her. .
Angry Boss
Johnny, a young man living in the UK, works tirelessly at a restaurant run by his ruthless boss, who values profit over people. Johnny hasn't seen his mother, who lives in Nepal, for five years. Despite his longing, his boss refuses to grant him time off when his mother invites him to celebrate the Dashain festival together, a cherished tradition involving family and festivities. Heartbroken, Johnny is forced to postpone the reunion, promising his mother he'll come next year.
The Way to the Heart
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
Film
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri