1991 FIA Formula One World Championship Season Review
Dec 13 1991
•History, Documentary
1991 was the year when the normally dominant Honda Marlboro McLaren team received a shock! The Williams-Renaults, when reliable, were by far the most competitive cars in the Championship. Ayrton Senna thoroughly dominated the early races of the '91 Championship but it soon developed into a tense-way battle as Nigel Mansell clawed his Williams-Renault into contention. The FIA F1 World championship continues to be at the pinnacle of world motorsport. The reason is clearly shown in this compilation packed with unseen film material including interviews and on-board camera shots held back especially for you to enjoy.
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1994 FIA Formula One World Championship Season Review
The 1994 season was the year in which Michael Schumacher won his first title, but it is remembered more for the fatal crashes of Roland Ratzenberger and three-time world champion Ayrton Senna at the same race event. This video captures the atmosphere well, with thoughtful photo tributes to both drivers and many interviews with drivers and team personnel. There are also excerpts from the key press conferences held by Max Mosely held after the accidents. The build up to the season is very good indeed, and there is a range of music used that bring events such as Jean Alesi's first pole position to life. The practice and qualifying sessions are well covered.
Box
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Forest
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Box
"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again." Takashi Ito