All Recommendations

Radical Brownies

Berets, badges, Black Lives Matter and social justice: the youth group for activist girls of colour.The Radical Monarchs is an alternative to the Scout movement for girls of colour in Oakland. Its members earn badges not for sewing or selling cookies, but for completing challenges on social justice including Black Lives Matter, 'radical beauty', being 'an LGBTQ ally' and the environment.

1-2-3

“1-2-3” explores the harrowing tale of human trafficking in the country.

Evolução

Night of the Living Doo

In a spoof of 1972's The New Scooby-Doo Movies, Scooby-Doo and the Mystery Inc. gang pick up a hitchiking Gary Coleman. Soon after, the Mystery Machine proceeds to break down (multiple times) leaving them stranded at a haunted castle owned by David Cross.

The Three Friends

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Gasping for Air

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Do-Re-Me

Hong Kong movie

Flow

A turbulent day in a life, painted by air.

My Little Pony: Equestria Girls - Magical Movie Night

Grab some popcorn and enjoy three magical adventures starring everybody's favorite characters from Canterlot High as they enter a music video contest, go behind the scenes of a movie and encounter an enchanted mirror!

Sonic Youth: Koncertas Stan Brakhage Prisiminimui (April 12, 2003)

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

Re-Kill

Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.

Film

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

Hannibal

A young man happens upon a strange, isolated village which is oppressively ruled by foreign soldiers. When he tries to inquire into what is going on, he is forced to flee to an island where a renegade medical doctor tries to force him into submission.

Asdrúbal Trouxe o Trombone

Boy

Jerry Lewis short film, part of the 1992 omnibus film "How Are the Kids?". It tells the story of a child that faces discrimination as the only white student at his school.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.